Without printed dates in the books, it's hard to determine exactly when each era of The Ghosts of My Friends occurred. I use "eras" here to mean distinct periods of time that produced a specific style of book. There are, however, five clear eras of Ghosts. To define these eras, I assigned the date of the first signature in the book to be the edition date. This isn't precise, of course, as one could go unused for years, but it does give some structure and allows for comparison.
The first books appeared around 1905 according to several newspaper advertisements. This era did not have an author attached to it. The books were published in London (from Dow & Lester) and New York (from Frederick A. Stokes Co.). They were small books, 6.5 inches by 4 inches with about 50 pages of somewhat stiff and smooth paper. They came in a variety of colors, such as blue, green, red, and gold and on the cover the name The Ghosts of My Friends is in gilt letters above an image of a ghost signature that is identified inside as "The ghost of a celebrated general." The directions before the title page are simple: "Sign your name along the fold of the paper with a full pen of ink, and then double the page over without using blotting paper."
On the title page is the Shakespeare quote, " The best in this Kind / are but Shadows". On the reverse of the title page is the poem Ghosts by the Irish writer Gerald Villiers-Stuart. The final stanza shows up, in a slightly different version, in Villiers-Stuart's 1908 book The Soul of Croesus. though the poem appears in all ghost books until 1938.
18 Oct 1905, The Bystander
Ghosts, by Gerald Villiers-Stuart from the inside of a 1908 Dow & Lester edition.
Chapter 30 of The Soul of Croesus
by Gerald Villiers-Stuart
Also of note in the early era is the address Dow & Lester's address. In the unnamed era, the address is "67 & 68 Cowcross Street London, E.C." Later eras list the address as "Foresters' Hall Place, E.C." The address for Frederick A. Stokes Co. remains consistent throughout.
1905 Dow & Lester
1909 Dow & Lester
These early era books are somewhat rare. While there's no way to know how many of these books were made, scarcity can be a guide.
By 1908, Cecil Henland's name appears for the first time as the "arranger". These books are the most common to come across. The only other changes to this era is the slight adjustment to formatting on the title page to accommodate a list of other publications from Henland. Her other works are similar to this one in that they are books you interact with rather than novels or other long form writing (this is an assumption as I've only seen one of the other books credited to Cecil).
In 1916, a new red pattern is used around the title page. Nothing else changes.
1916 Dow & Lester
1913 Dow & Lester
1905 Dow & Lester
Around 1920, a fourth era comes out from the same pair of publishers, also with Henland's name as the arranger. This era keeps the new title page pattern and added a black box on the front cover.
This later era contains several outliers that I've only seen evidenced once. There may be another era divide in this time period, but there's not enough evidence for it. For example, there is one silver copy with a black and white title page. No other copies I've seen have a black and white title page.
In 1938, a fourth and final era began. This time it was only released by Stokes and it included a different name as compiler (where it used to be arranger): Capini Vequin (the pen name of Elizabeth Vernon Quinn). The format of the book changed in this new era and from all signs, was a much smaller run. In fact, the only issue I have seen included a tip in stating,
"This copy of THE GHOSTS OF MY FRIENDS is presented to the guests of the 38th Annual Banquet of the American Booksellers Association National Convention by Frederick A. Stokes Company with an eye to increasing the levity of the occasion and with the pious hope that the pastime thus inaugurated will not become too insidious."
It further states that if a recipient fills their book by Labor Day, they can mail it to Stokes to be judged against the other books and the winner--based on the form and figure of the ghosts, not the names they are formed from, would receive $50. Coincidentally, this was one year before Stokes shuttered operations, and the book was not mentioned in a book about Frederick A. Stokes Company publications. Maybe that $50 is what set them over the edge.
Other changes in the 1938 era include:
A somewhat wider format book, blue dust jacket on gray boards
An introduction by Quinn
Much more detailed directions and suggestions for creating the ghosts.
A forward by Quinn
Ghostly quotes on the back of each signature page.
Several high-profile ghost signature reproductions:
Theodore Roosevelt (Frontispiece)
Admiral Robert E. Peary
Clark Gable
The Princess Troubetzkoy (Amélie Rives)
Lowell Thomas
Munro Leaf
Frances Hodgson Burnett
In addition to these ghost books, there are a couple imitation books didn't quite get to the same level of popularity. One was Your Hidden Skeleton from The John C. Winston Company out of Philadelphia, PA. This is a fairly rare book, but there were at least a couple versions. Two green versions are verified to exist, one with a frontispiece of George Washington's signature and the other with just the title. There are also pictures of a red version and one with a jacket.
A final more obscure book in this vein is titled "Autograph Ghosts" and is described as "a blank book, hand-built" by craftsman, with a brown grain leather cover tied with soft cord. $1.00, including a special pen to insure a good record. Graduates will want them." Mentioned in the Indianapolis News, 26 May 1909, but no copies are known of.